影片信息
- 片名:诱饵2019
- 状态:HD中字
- 主演:Morgan/Val/Baker/Georgia/Ellery/Martin/Ellis/Chloe/Endean/Stacey/Guthrie/Jowan/Jacobs/Giles/King/Edward/Rowe/西蒙·谢泼德/特里斯坦·斯特罗克/玛丽·伍德维恩/
- 导演:马克·詹金/
- 年份:2019
- 地区:英国
- 类型:剧情/
- 时长:内详
- 上映:未知
- 语言:英语
- 更新:2024-06-25 19:20
- 简介:诱饵20192019 播出年由Morgan Val Baker Georgia Ellery Mar 主演,马克·詹金 导演的《诱饵2019》在线观看,《诱饵2019》百度云网盘资源以及《诱饵2019》高清mp4迅雷下载,希望您能喜欢!
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。 Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
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土狗电影网为您提供2019 年由Morgan Val Baker Georgia Ellery Mar 主演,马克·詹金 导演的《诱饵2019》在线观看,《诱饵2019》百度云网盘资源以及《诱饵2019》高清mp4迅雷下载,希望您能喜欢!
康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。 Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.展开
1.0 Alex Wiseman/Peter Madsen/Kim Wall/
2.0咏梅/姜武/吴倩/张本煜/马苏/艾丽娅/李易祥/李嘉鑫/吴泽南/陈玺旭/
7.0温贞菱/丁宁/黄婕菲/雷婕熙/廖钦亮/林敬伦/文雨非/
7.0Marco/Leonardi/卢米·卡范佐斯/埃达·卡拉斯科/Yareli/Arizmendi/Claudette/Maillé/
5.0陶慧敏/剧雪/沈蓉/吉雪萍/池华琼/普超英/张力维/宁理/
8.0玛伦·艾格特/布里塔·哈梅尔施泰因/路易斯·海耶尔/利奥·佐伊·沃斯/Ilja/Bultmann/安德烈亚斯·德勒/Milian/Zerzawy/Paula/Schindler/Luana/Greco/Finnigan/Inan/
2.0杏/中须翔真/佐津川爱美/酒向芳/木龙麻生/和田聪宏/丸山智己/河井青叶/安藤政信/奥田瑛二/
6.0大卫·贝尔达格尔/路易斯·卡叶赫/奥斯卡·德·拉·弗恩特/奥利维亚·莫丽娜/玛利亚·罗曼尼奥斯/洛雷娜·洛佩斯/玛尔塔·贝伦格尔/佐迪·阿吉拉尔/米古尔·雷兰/Jona/García/Tosca/Montoya/Arantzazu/Pastor/Arantxa/Pastor/Dario/Mataix/Moana/Gómez/Nora/Arándiga/Pau/Belloch/Rubio/Guillem/Belloch/Rubio/Amparo/Oltra/Paco/Roca/
5.0正宇/金大明/朴炳垠/赵显哲/郑海钧/白秀章/
4.0保罗·麦斯卡/佩德罗·帕斯卡/丹泽尔·华盛顿/康妮·尼尔森/约瑟夫·奎恩/弗莱德·赫钦格/德里克·雅各比/马特·卢卡斯/彼得·门萨/梅·卡拉美维/蒂姆·麦克纳尼/利奥·拉兹/瑞安娜·杜斯/奇迪·阿朱福/李·查尔斯/齐·刘易斯-帕里/迈克·帕里什/米哈伊尔·巴斯马吉安/亚历山大·西姆金/马克西姆·杜兰德/
7.0瑞秋·布鲁克·史密斯/K·C·克莱德/柯宾·艾瑞特/道尔顿·贝克/
2.0瑞秋·布鲁克·史密斯/K·C·克莱德/柯宾·艾瑞特/道尔顿·贝克/
7.0张继聪/杨天宇/马思惠/周家怡/余安安/吴浩康/
5.0赵丽颖/辛芷蕾/黄觉/董宝石/安沺/小爱/王梓薇/张帆/冯雪雅/韩玺曈/杭程宇/崔俊/甫枭虎/李延/张会苓/王福安/
正片
1.0余龙/欧阳可依/朱雀/韩成才/王守奥/牛兴/
9.0朴成雄/郭时旸/尹敬浩/金光奎/郑幼贞/申承焕/朴孝朱/
10.0永野芽郁/高桥文哉/铃木仁/平祐奈/前田旺志郎/志田彩良/白鸟玉季/斋藤润/江口洋介/
8.0佐藤浩市/横滨流星/松浦慎一郎/尚玄/奥野瑛太/小泽征悦/片冈鹤太郎/哀川翔/洼田正孝/山口智子/桥本环奈/坂东龙汰/
7.0肖央/赵丽颖/刘烨/冯德伦/潘斌龙/王迅/陈明昊/徐冬冬/印小天/吴晓亮/王宏伟/宋宁峰/张百乔/艾丽娅/林乐炫/
4.0李抒航/史可/李子雄/郑钧颢/卢卓婕/穆立新/倪土/陈宇星/
6.0娜奥米·斯科特/凯尔·加尔纳/德鲁·巴里摩尔/罗丝玛丽·德薇特/卢卡斯·盖奇/迪兰·格鲁拉/彼得·雅各布森/雷·尼科尔森/劳尔·卡斯提洛/达芙妮·泽利/迈尔斯·古铁雷斯-赖利/Zebedee/Row/Delphi/Harrington/Micaela/Lamas/David/Peter/White/
10.0 迈克尔·基顿/米拉·库尼斯/安迪·麦克道威尔/卡门·艾乔戈/劳拉·本纳蒂/凯文·波拉克/普娜·贾甘纳坦/迈克尔·尤瑞/维维恩·莱拉·布莱尔/尼科·希拉加/丹尼·德费拉里/迈克尔·基耶福/Liza Treyger/Dominique Star/Chander Daya/诺亚·费舍尔/Ana González/米歇尔·玛丽·贾克/多米尼克·培斯/香农·本斯顿/
1.0 迈克尔·基顿/米拉·库尼斯/安迪·麦克道威尔/卡门·艾乔戈/劳拉·本纳蒂/凯文·波拉克/普娜·贾甘纳坦/迈克尔·尤瑞/维维恩·莱拉·布莱尔/尼科·希拉加/丹尼·德费拉里/迈克尔·基耶福/Liza Treyger/Dominique Star/Chander Daya/诺亚·费舍尔/Ana González/米歇尔·玛丽·贾克/多米尼克·培斯/香农·本斯顿/
4.0 迈克尔·基顿/米拉·库尼斯/安迪·麦克道威尔/卡门·艾乔戈/劳拉·本纳蒂/凯文·波拉克/普娜·贾甘纳坦/迈克尔·尤瑞/维维恩·莱拉·布莱尔/尼科·希拉加/丹尼·德费拉里/迈克尔·基耶福/Liza Treyger/Dominique Star/Chander Daya/诺亚·费舍尔/Ana González/米歇尔·玛丽·贾克/多米尼克·培斯/香农·本斯顿/
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